Ab Shock Belt Reviews

Wagon 22nd World Congress of Poets

22 ^nd World Congress of Poets

Larissa , Greece

June 29 - July 3, 2011

Classical Larissa Imperial Hotel *****

http://www.wcp-greece2011.org/

e-mail: info@wcp-greece2011.org

INVITATION

Dear poet

We invite you to the 22nd World Congress of Poets that will take place from the 29 ^th June to the 3 ^rd July 2011, in Larissa , Greece . President of the Congress was elected the Greek poet, Dr. Dimitris P. Kraniotis , internal medicine specialist physician, academician and doctor of literature.

The World Congress of Poets (WCP) which will be held for the first time in Greece is conducted since 1969 in various countries around the world and is an internationally recognized cultural event. Held every two years by the United Poets Laureate International (UPLI), one of the major international poetic organisms, brings together poets from all around the world. The aim of the institution is to promote the " World Brotherhood and Peace through Poetry " without discriminations of race, religion and nationality.

The history of the Congress delegation in Greece began in the 20th World Congress of Poets, held on 13 ^th – 17 ^th June 2007, in the city of Montgomery , the capital of the state of Alabama , USA . At this congress, Dr. Dimitris P. Kraniotis was elected President of the 22nd World Congress of Poets 2011. The election of the Greek poet as President meant also the conduct of congress in Greece .

Dr. Dimitris P. Kraniotis who participated at the 21st World Congress of Poets, which was held on 16 ^th -20 ^th July 2009 in Managua, capital of Nicaragua, in his speech he suggested Larissa as the host city of the 22nd World Congress of Poets in 2011. The UPLI Board of Directors unanimously accepted the proposal and President of UPLI Dr. Benjamin R. Yuzon, announced Larissa as the World Capital of Poetry in 2011.

Larissa is located at the heart of continental Greece , having a dynamic economy and extremely vibrant population. According to archaeological evidence, the capital of Thessaly , Larissa, has been inhabited since the tenth millennium BCE. Today, Larissa is a major commercial and industrial centre in Greece . Legend reveals that Achilles was born here and Hippocrates, the Father of Medicine, died here as well. Larissa has a Municipal Art Gallery – G. I. Katsigras Museum , well-known for its selection. It is full of places for entertainment, Larissa’s Ancient Theatre, Monument of Hippocrates , Larissa’s Archaeological Museum , Saint Achillius Church, Alkazar Park , Pineios River , etc. Near Larissa, there is an interesting diversity of sceneries with the mountain of ancient Greek Gods, Olympus, the Valley of Tempi, the beaches of Larissa (Stomio, etc), the mountain Meteora ( UNESCO World Heritage Site) with the old Christian monasteries, etc.

We expect you to enjoy a high-quality meeting along with our wholehearted hospitality, and we hope that you will have the opportunity to spend some fruitful time with friends in a relaxing atmosphere.

With these thoughts we look forward to seeing you all in Larissa.

Dear poet

It will be a great honor for the Organizing Committee of the 22nd World Congress of Poets 2011 to attend and participate in this important cultural event, held in the heart of Greece , from the 29 ^th June to the 3 ^rd July 2011, in Larissa. The congress offers to the participants a rich social and recreational program that includes " 1 ^st Mediterranean Poetry Festival " , traditional Greek night, visits to interesting sights in the Periphery of Thessaly, banquets with music and dancing, etc. We have also scheduled enough space for speeches and poetry reading.

We kindly request confirmation of your participation to the congress as soon as possible. Please also notice that you make your own airplane and hotel reservations.

We look forward to meeting you at the congress.

Οn behalf of Organizing Committee of 22 ^nd WCP/UPLI

Yours Sincerely,

Dr. Dimitris P. Kraniotis

President of 22 ^nd World Congress of Poets / UPLI

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My fucking life (feat. Esther Minia)


I left the recorder accidentally open two hours after an interview-feast, the kind where people go after what you ate on the last page of a newspaper and feel envy, healthy or lousy, ad libitum . What is a miracle occurred, a finding.

my footsteps are heard, my cough, my conversation with the Chinese (one liter of beer, please Glasier), my fucking life. It's strange: most of life takes place in silence. Do not you realize because you're thinking, talking to yourself. That run run of mind that never shuts up (Note: sign up for a transcendental meditation). But out of your skin, your borders, your skull and your sensuality, nothing. The sound of falling beer into the glass sad, the sighs and groans give yourself without realizing it, to sit, to stand up (you get older), when a working email received does not make you fuckin 'grace (not you bastards buy your text.) Suddenly the sound of the phone: phone conversations (you only hear you) to discuss with the Nini that sulking because he's had a bad day. TV, by far.

It's like those movies of Jaime Rosales, real minimalist. Burner.

I was never aware of how much or how snarled sigh: I must be very wise. The noise of the keys writing an email. Elvira Lindo

why not.

My mother when I was young and had squeaky voice.

That's right, to see if they stay and take some beers. (We are so fucking apañoles).

Most of your life takes place in a silence that you are not conscious. Cacho

dog.

Puagh!

(picture the author in 2008 in BCN listening to the silence surrounding by Esther Minia)

Indentationsinner Thigh

wagon XXI century cathedrals

M. JOSE DIAZ DE TUESTA-NOTE TAKEN FROM THE COUNTRY OF SPAIN.

Are you is best architectural works built in Europe over the past two years. Or at least, are among the most notable of the 340 who were selected by an international jury. The Mies Van der Rohe Award 2011, awarded by the EU every two years, has announced today the six finalists who will compete for the buildings first prize of 6,000 euros: The Neues Museum in Berlin, David Chipperfield, Theater Bronx, Belgium (MDMA), Martine de Maeseneer of the National Museum Art Century (MAXXI) in Rome, Zaha Hadid, the Danish Radio Concert House Copenhagen, Denmark, Jean Nouvel, the Acropolis Museum in Athens, Bernard Tschumi and Rehabilitation Center Groot Klimmendaal in Arnhem (Netherlands), Architect team Koen van Velsen enbureau.

"All the works are of great interest," said Lluis Hortet, director of the Mies Van Rohe. "There are more symbolic than others, such as museums, which are our cathedrals, which mixed with other more functional. In any case agree that all projects have been carried out with tighter budgets than ever before, "qualifies Hortet.

These six finalists for these prestigious awards, no English project. According Hortet is no drama, despite previous calls that always stood out at all. "It is normal for a few years stand out more latitude than others. Italy, of great architectural tradition has had many years of drought, while Spain and Portugal monopolized everything. This year no, but seeing the ups and downs are normal perspective, "the director of the Foundation.

Among the winners from previous editions include Musac, Leon, Stump and Mansilla, the embassy the Netherlands in Berlin, Rem Koolhaas and Ellen van Loon (OMA), the park and North Hoenheim terminal in France, Zaha Hadid and the Kursaal in San Sebastian, Rafael Moneo. It was not until 20 June for know what the building will be raised to the altar of the Mies Van der Rohe in this new edition.

The finalists range in these buildings is reflected from an intervention "very complex and contemporary" carried on a long-standing project, as in the Berlin Museum, another work ex novo, but in a single context, such as the Acropolis in Athens, or in a more open and contemporary (Maxxi, Rome), others have to address highly technical issues such as the Danish Radio Copenhagen Auditorium, a territory which its author, Jean Nouvel, and transitioned earlier in the Auditorium of Lucerne. Esyán also two works that have more to do with the social aspect and equipment within an urban context, such as the Teatro Bronks, Belgium, and the Rehabilitation Centre Groot Klimmendaal.

Argument Thesis Statement Against Abortion

wagon with the poetry of Laura Cancho

The poem serves to release an image beyond that contain it. In the writing of English Laura Cancho achieved this need and stay in the reader feeling a situation unarmed before signs or presence of the poem. The writer often victor and vanquished in the struggle with the word.

From your mouth hungrier

not quench the true.

textualize the situation, slowly feel no need for dogma or sentence that is executed with alacrity with Laura.

ask me to love you in your freedom

And I ask you the freedom to love me,

entangle us, and we're going down to the bottom,

With all the tenderness and good intentions.

The poem is an exercise in good intentions, as well as love, sex, being there and as art or folly, the poet acknowledges. And skip the power of the image, which writes in and out of the image and want.

Your body

melancholy today shatters

time and pay off more than I have everything quiet. We have been brushing

camouflage while fear losing
Time to wish each other love

holding us from the silence of fire.

invite your blog

entering our links list of friends or necessary way stations.

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Princesses with machine guns war



The Jessy, Paqui, the Andrea and his henchmen are daughters of the industrial proletariat peripheral large cities. Are expressed with great difficulty, have obvious problems of syntax, vocabulary and pronunciation, and even their voices, with few exceptions, are unpleasant. The Jessy, Paqui, the Andrea and his henchmen are debased versions of what they want to be: they are less beautiful than it would like, its supposed modernity is tacky dressing, of course do not have one ten thousandth of the money they would spend . One of them, singer, wants to succeed with your own songs (not sung badly) but languished in an orchestra of people visiting the festivities of the English desert. Another would like to make television programs in prime time the most popular channels, but check the hours on a call tv , these early programs where a Choni of these is called boring viewers to participate in a contest suspect and absurd. Their lives are a substitute for what should be (otherwise, that it happens to almost everyone). The Jessy, Paqui, the Andrea and his henchmen are Princesses in the program Barrio de La Sexta. For now, that makes them quite happy. Princess

Barrio is a program is quite cruel. These girls think they are stars when they make them the laughing stock of those who look. The program claims and, in some way, justify and dignify it (without much success) the figure of the Choni poligonera. These kids, putting Marxist are victims of injustice and inequalities of class (does that exist?), and The Sixth celebrate with this gibberish: low access to culture, lack of goals and long-term opportunities, in a nutshell: poverty. And being poor, let us say like, not cool at all. But hey: this program can contribute to social peace and to be a Choni not so bad. Let no one complain: it is here the American dream.

below and in the same channel, broadcast Who lives there?, A space (pun intended) where the rich, on the other end of the spectrum, show houses that are almost ashamed of what they are sumptuous and cojonudas when most live in small, but decent burrows. This program is that the rich are not so bad: show us their rooms and their cheerful nourished offspring, who scurry to the edge of the pool. Frank, do not run out there who'll hurt you. At the end they always say, away in a convertible, we return whenever we want, we're in our homes ... So ... So: Is the Sixth were not a left channel or something?

chonis I'd get to them would fit a black beret, olive green overalls and an AK-47 in Patty Hearst plan (in the picture. Indeed, I interviewed his daughter once in the EPS, a species more typical of Paris Hilton La Sexta) and make a show about sexy urban guerrilla robbing banks malls. Ka-boom!

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Wagon IV International Meeting of Researchers Literary

SUR INTERNATIONAL CULTURAL PROJECT ( SURCHIAPAS )

Intercultural University of Chiapas

ACADEMIC BODY "EDUCATIONAL PARADIGMS AND THE TEACHING OF LANGUAGES (UN.A.CH.)

POETS OF THE WORLD MOVEMENT

MEXICAN CULTURE SEMINAR (Correspondent of Tuxtla Gutiérrez)

summon the

IV INTERNATIONAL LITERARY SCHOLARS

"Homenaje a Rosario Castellanos International

and Generation of Masks"

Tuxtla Gutierrez, Chiapas and San Cristobal de las Casas, Mexico,

19, 20 and May 21, 2011

ALL LITERARY RESEARCH, EDUCATION (secondary education, higher and postgraduate) and students of literature (upper level and graduate), to attend as presenters or attendees.

This meeting will take place on 19, 20 and May 21, 2011, the first day in various educational and cultural facilities of Tuxtla Gutierrez and 20 and May 21 in facilities Intercultural University of Chiapas and cultural facilities in San Cristobal de las Casas, Chiapas, Mexico.

This meeting is open to all literary scholars, academics (level, higher and postgraduate) and students of literature (upper level and graduate) who share an interest in exchanging experiences and research findings on Mexican literature contemporary as well as to strengthen its academic activity with the topics discussed during this international conference.

Topics of the meeting:

• Rosario Castellanos (any topic on his poetry, novels, plays, essay or newspaper article).
• Generation Writers Masks: Jaime Sabines, Rosario Castellanos, Dolores Castro, Ernesto Cardenal, Ernesto Mejia Sanchez, Manuel Duran Gili, Emilio Carballido, Sergio Magana Otto Raúl González, Augusto Monterroso, Sergio Galindo and Luisa Josefina Hernández (any item on the literary genres that were expressed.)

Modalities participation:

• Wizard
• Speaker

Those interested in participating as speakers should send a proposal of conference or lecture Event Organizing Committee at email: homenajemascarones@hotmail.com

The proposal should include:

· title.

· Summary of activity (abstract of no more than 200 words), stating the goal (minimum 200 words and maximum 300 words).

· Overview of presenter (name, address, telephone number, e-mail, institution where he works and updated curricular synthesis).

The presentations will last twenty minutes and the lectures of forty-five minutes.

certificate of participation will be given to the speakers and lecturers. Attendees will receive statement signed by the Organising Committee (twenty-five hours on a curricular value).

date for receipt of submissions

April 20, 2011.

Activity Schedule:

From 9:00 to 14:00 and 17: 00 to 20:30

ASSISTANTS REGISTRATION FEES:

Teachers and students

Teachers (during the event)	$ 300
Students (during the event)	$ 200

Registration Fees

SPEAKERS
Speakers (during the event)	$ 500 or U.S. $ 40

Locations: Intercultural University of Chiapas. Corral de Piedra No. 2, San Cristobal de las Casas, Chiapas , Mexico

For inquiries contact
homenajemascarones@hotmail.com

marisatrejos@gmail.com

Pre-registration will be mail to: homenajemascarones@hotmail.com , to reserve places. Speakers interested in enrollment in advance may be made by bank deposit. Space is limited. i can ask EPORTS talk about sending information on hotels and tourist information, etc., The academic committee at the same mail.

_______________________________________________________________________________________________________

EVENTS:

lectures, paper presentations, panel discussions, cultural and artistic events, exhibitions of books and poetry festival.

_______________________________________________________________________________________________

ORGANIZING COMMITTEE

DR. TREJO MARIA LUISA SIRVENT

PRESIDENT

MTRA. TREJO SOCORRO SIRVENT

VICE

MTRO. KEY Gabriel Coutinho

SECRETARY

DR. HUGO CESAR PEREZ AND PEREZ

MTRA. JIMENEZ DIAZ GUADALUPE

LOGISTICS COMMITTEE

DR. TREJO MARIA LUISA SIRVENT

MTRA. Mandujano SNAKE MARY EUGENIA

Academic Committee

IV INTERNATIONAL

DE INVESTIGADORES LITERARIOS

19, 20 y 21 de mayo de 2011

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Mantra ESTACIONPOETAS

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Wagon Wagon in Japan Nuclear crisis worsens and effects depend on wind wagon

Record high levels of radiation have now been found near the Fukushima 1, nuclear facility following explosions at reactors 1, 2, 3 and 4. Radiation 9 times the background levels have been found near Tokyo.

A critical factor now is wind direction. The simulation below shows the potential radiation plume based on weather forecast data and a worst case scenario for radiation.

The forecast of wind direction from the state meteorological service of Austria - ©zamg

Timeline of recent events at Fukushima 1 (Daiichi):

Sunday, afternoon - Explosion at unit 1 confirmed by Japanese officials.

Monday, late morning - Explosion at unit 3 confirmed by Japanese officials.

Tuesday, morning - Explosion at unit 2. The explosion is feared to have ruptured a part of the reactor containment vessel (the concrete containment) called the wetwell (also known as the torus or suppression pool). Fuel melt is still ongoing, with latest information putting water level at around minus 2 meters, meaning half of the fuel rods are exposed.

Tuesday, morning - Fire starts at unit 4, followed later by an explosion. Reactor 4 was shut down cold with no fuel loaded at the time of the quake, meaning that the spent fuel pool is the likely source.

These were all thought to be hydrogen explosions (though it is uncertain). They are not nuclear explosions, as with a nuclear bomb. The risk to the wider public is caused by radiation from the reactor core or stored nuclear materials. Workers have reportedly been injured in some of the blasts.

Health and safety situation

• Most of the 800 workers have reportedly been evacuated. The 50 who remained are undertaking tremendous personal risk.

• Extremely high levels of radiation were measured around Daiichi on Tuesday morning. Near Unit 4, 100 - 400 mSv/h are reported, and levels of 30 mSv/h between Units 2 and 3. Levels were explicitly confirmed to be measured in milli-Sievert, not micro, by government secretary Edano, which means an immediate threat to health and a hundred times more than any measured so far.

• People within 20-30 kilometre radius of the plant are being told by the government to stay inside, turn off ventilation and dust off their clothes and shoes, as well as take a good shower if they come in from outside.

• Radiation levels nine times background were measured as far as Kanagawa, which is 250 km South-Southwest and very near to Tokyo. In Utsunomiya, 140 km Southwest of the site, levels were 33 times above normal. In Sendai, 100 km North, officials told everyone to avoid rain as it would carry radioactive contamination. Forecasted wind direction is South East to East, meaning inland and potentially toward Tokyo.

• The town of Minamisoma lies on the 20-30km zone, with a population of 71,000 people.

• According to Japanese government secretary Edano, Unit 4 is believed to be the source of the high radiation levels, which makes it even more alarming - spent fuel has much more long-lived isotopes than a hot reactor core, meaning more potential for long-term contamination.

What's next?

It is very difficult to predict what happens next. The situation at Units 2 and 4 is not under control and potential for large radioactive releases exists. The high radiation and damage at the facility makes work their extremely difficult. Our thoughts are with those suffering through the aftermath of earthquake and tsunami and this unfolding nuclear crisis.

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RAL, M

RAL,M - Revue d'Art et de littérature, musique

Nº 69
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HALBEHER Lélio Dominique BRUN


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Bonne lecture.

Patrick Cintas.

patrickcintas@lechasseurabstrait.com

Scorpio Stopped Talking To Me

Poets in the Equinox Wagon Wagon

Willing to return to the word, with a tandem of good friends. The emerging culture crystallizes and brutal in Pereira.
Poets confirmed for the show "Poets in the Equinox" are: Conrad Alzate Valencia (Riosucio), Juan Carlos Acevedo Ramos (Manila), Flobo Zapata Arias (Manila), Hernando Guerra Tovar (Ibague) Maria Cecilia Muñoz (Medellín), Girl Julian Cardona (Pereira), Angela Penagos (Medellín), Adrian Pino Male (Pereira), Anna Frances Rhodes (Medellin), Alfonso Marín (Pereira), Diana Patricia Toro Angel (Manila), Omar Garcia Ramírez (Armenia), Maria Helena Giraldo (Medellin), Francisco Gonzalez Lotero (Dosquebradas), Giovanny Gómez (Pereira), Yorlady Ruíz (Pereira), Adelnide Giraldo Herrera (Dosquebradas), JJ Guzman Abella (Armenia), Germain Cuervo (Cali) Gustavo Ortiz (Bogotá), Edgar Trejos (Riosucio) Iban Marin Alarcón (Manila), and Carlos Mario Uribe (Manizales).

Convert Track Lighting

A small tropical



One gets the house in boxes, books, clothing, records, tedious and stressful, it seems strange to leave the place where you've lived a long time and let them deal with another (the city , in his pride architectural concrete and metal, is indifferent to who lives there, the buildings prostitute their internal spaces to the highest bidder to hang their posters, place your bed, your furniture and absurd life, never forgetting who the occupied before), but the strangest thing is those objects that do not fit in any of the above tags and who are orphaned, lost, among the boxes and sealed. A skull carved in lava of Vesuvius I brought a stroller in the Philippines gave me a sketch of a poem written on a napkin in the year 2007 (oh, how literary!), Leopard belt I do not get, patches that would, one day, and far, to sew on my sucks, I entertained the Rio summers on the beach in Los Canos de Meca. What to do with these remnants of the past who are bent on joining? They are not ours but ours because one is no longer the same as it was then. You say, bah, I'll take, then says no, no, better drop, threw them into the garbage, I do not know, each time you move one goes rid of memories, whose only use useless junk in the end, is disturbing on the shelves and take dust, which have no established place. In the end, one is not just your body and your mind and your fears, but also are part of an object that has the ends of the bell curve that we all are and that sometimes cut costs. We cling to as he clings to one of its members. Distress.

the end I pulled a few things. I have put in large garbage bags (I guess, suddenly, my things had become garbage), I've left on the street next to the recycling bins in the middle of the night. When I returned from Opencor've seen my stuff, some of my old clothes, lying on the floor, someone was interested, had opened the bags, had peeked and had left everything scattered on the sidewalk. It was strange to see my stuff there in the street, because things are always others, some of which I try to imagine life as a result of their garbage. This time it was my stuff and tried to imagine my life inspire me in those clothes and came out a different life that was not mine. Of course, I was much offended who judged not searched any of my old belongings deepest interest.

Moving, then, is not just a change of room or home is a more profound change as a journey, a return not just a move in the same way as one does not return from war. Moving at last, after all, is a small war, the kind that occur in the Third World and no one hears, to his own memory and its tendency to be preserved somehow. And life is made of pottery that, ultimately, is what remains when you die.

Is Gaviscon Bad For The Liver?

whole truth about the sex lives of Danger Txe



Well, my sex life goes something like this: I am, is not it, and then I start to feel a something that what I most intimate interlinings suliveya me, and then I take off my clothes and left with the skin crackling in the air and that it gives me that way and then ... then ... have chopped

! This post is not about my sex life but ... reading! The opposite sex! (Oh! Booing and whistling in the house, disappointment, kicking, pervasive sadness, disappointment) .

To make the move to pisazín (the pisazo piquiñín) I packed the books and found about 15 boxes full of print and now much greater than that occupied on the shelves. And that they say that knowledge does not take place. Otherwise I have tried to get rid of some 100 books and, as happened to Augusto Monterroso, I have not been able, in principle, the friends were delighted and to come to find books gratelo ( other guy, we spent Friday fixed), but time passes and there is not no God. Surely if mutants gave away the fluff I have for the most people come sockets. Folks, it's free, dammit.

is because the books are very well regarded, and reading in general. There are people who do not like reading . Thus, in general, do not like reading. This fascinates me because I say, everyone has hobbies right? Dogs, baroque music, cars, weird sex, porcelain floors, gardening, the Civil War. Well, all these things are books, because books are a kind of summary Pret a porter of spacetime. So if you like these things, why not read about them? Learn fuck. To me it's not like I read, read, hard effort and tired eyes, what I like is what comes within certain books, as I stand and suffer and I read them. And I get to own, hear. Imagine

that could make a phone call to an uncle who lived 2,500 years ago. What the heck I'm saying, right? Talk to Plato, for example. This technology does not exist, but there is another that allows: the book! There are books that are kept of people who lived zillion thousand years and say what they lived and thought. And there are science fiction books that explain how to escape a thousand years from Earth to a habitable exoplanet Alpha Centauri to escape the swelling of the Sun became a red giant. Reading is like to live many lives in many different times ( crybaby, lighters, emotion ).

best of the books, however, decorating, are very nice on the shelf and make you look smarter, but less friendly. And you can talk about many things often untimely and say in a conversation: "I once read that ..." "There is a book that says ..." If not you talking about? Thirtysomethings and just talk about mortgages, jobs, child care, tax and stuff, and those who are in their thirties, time. Why not read.

Well, said the other day Eduardo Mendicutti on TV that not everyone has to be reader who read about other non, and Padrón peppers. That should not be read because it is healthy as eating yogurt with bifidus or fresh vegetables. Sometimes you have to use sex appeal, as was done above: boobs, morbidity, confessions. So if you want to stop reading this post can do it ... Now!



(What a relief it is over right? In the picture the Author about to experience a literary orgasm. Photo by Oscar Carriquí, photographer , genius and figure).

Christina Aguilera Boob

poem Enrique Rodríguez Pérez

LIVING OUT OF TOUCH

The river gives away shadows in yards of paper

to stretch cold

memory.
House
sea behind

lengths perpendicular to
of being away from the room
plums. Mountain

in erasing, heat
hurried
bones. Remote
muted. *************************

always punctuated by the brilliant writing professor of literary theory, thank you, Henry.

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has to be a better life,
but not here.


ramshackle suburban parks where the metal gravel bites, and children
good bite dust. Noon

gray and open bars at school:
anoraks out loud
the bad girls in a very fine rain is not all rain. Once


noise did you follow the life now in the middle of your parents, there is no heaven
to break your fists
childish white. Again

you had fear,
but not even that, now you

brick and bottle-green awnings.

Nothing is all that is in the periphery,
everything is unfinished, poorly drawn,
everything is half done or sleep in ruins.

Sclerosis in the veins of life,
while playing with plastic bags
idle wind, dance silence.

The suburbs is not a physical place but a state

soul when the soul no longer exists
as everyone knows
in the gravel.



(Sara Herranz said it much better with your dibujin above. Thank you)

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Wagon 661. Hache Holguin

I not ask the first time you did a drawing, but the first time you saw your picture, it would have been the first and the first time I read it and analyze it ?

difficult question but I think of the first works that struck me and I generated the concern about the reading of images and the double meaning that I like, were the ones found in a book Dalí. Then I had the opportunity to see some posters of MC Escher's Metamorphosis and also scored a bit of that taste for visual poetry, though then drew no big deal, I think when I started producing some chasing a little illustration that I saw in Dali and Escher, the image was poetic that the reader of it is trapped in what I read ... I think I've never been.

Is it useful for something, maintain web portals with our work, which is like a resume?

seems to me that each person assumes the operation of the site personally, in my case on the web enjoy sharing what I do, I had the opportunity to receive visits from various around the world and comments from people who from afar saying about what I do, I like a lot because it helps me to evaluate whether the messages that "attempt" to raise are easy to read. On the other hand I think it's useless to produce much if anyone has the option to see what is in that sense I agree with the current Web-based sharing.

Do I take the case of the Enlightenment: Simón Bolívar, how far you take care of the historical reality of the cartoon, the joke in a design like this, how was this story?

That

illustration is part of a historical book of songs by Luis Liévano "Keshava", with whom we share a taste for double meaning and the writings of humor, so the picture has a touch of caricature, of imagination, some may see it as a disrespect towards the liberation but the truth depends on the eyes that look and affection that the reader can have the honoree.

What is this reading of graphic design theory always recommend?

Actually I've never been very good with the theories and concepts academics, what I do is largely intuitive and what I recommend is to heed the intuition at the time of creating, I think is more important to eat a lot of image, a lot of films and lots of music, as you think food is art easy to produce and express no theoretical guidelines. This is not to say that you put the academy, and it is not important, only in my case I was never very good at following rules. Buñuel's cinema has for me such a lot of graphic communication, music machine to birds and Joaquín Sabina aportado.Hay I also have a book that I feel like I contribute a lot in my early days, Creative Illustration by Andrew Loomis, and general much of the work of Loomis.

What are the internal rules of Hache Holguin, to differentiate a cover drawing a caricature, a portrait, a poster, you should care?

try not to follow rules in what I do, I try to create without making it difficult for the imagination, sometimes there are orders that need to be much more textual (works for school texts, for example) , and in these cases is usually a little more careful with color and shapes, in a cartoon treatment play a lot of expressions and an illustration for a poster I like there is something dynamic, but overall pace try not to follow many rules. The only thing for me is essential is to have a little play between the symbolic and textual.

"Centuries ago, a 2004 in March between POETS STATION to STATION POETS, was an emotional dialogue and consensus that helped me for this baptism, how your story has been collaborating with other dreams ?

I am little bit cautious and obedient, I have always loved the language of innuendo, double meanings and double reading, I value art plays with dualities and almost always give ideas to that effect, sometimes these ideas is well received and sometimes not, it depends again on who will listen. In the picture almost always end up working with the dreams of another, each foreign text supported by a picture of me, every cover of the book that attempts to summarize the work of another ... can become a mechanic but even trying to change the point of view illustrated text makes each "dream" is almost alien supported a "dream" itself.